The “Thriller” album from Michael Jackson is 40 years old this November and to celebrate, a new 2-disc set is being released November 18th of this year.

Thriller was MJ’s 6th solo album, and his first to be released in the 80s. It was the best-selling album worldwide in 1983, and became the best-selling album of all time in the US and the best-selling album of all time worldwide, selling an estimated 70 million copies. It topped the Billboard 200 chart for 37 weeks and was in the top 10 of the 200 for 80 consecutive weeks. It was the first album to produce seven Billboard Hot 100 top-10 singles:

The Girl Is Mine (duet with Paul McCartney) (went to #2)

Billie Jean (went to #1)

Beat It (solo by Eddie Van Halen) (went to #1)

Wanna Be Startin’ Somethin’ (went to #5)

Human Nature (went to #7)

P.Y.T. (Pretty Young Thing) (went to #10)

Thriller (narration by Vincent Price) (went to #4)

The first CD of the new release will be the original Thriller album, the first album to be certified triple-diamond by the RIAA, going on to sell over 100 million copies. This collection of ten tracks would go on to win eight Grammys. This CD is remastered from the original analog tapes.

The second CD will be a collection of songs recorded at the time, but at last check the list of those unreleased Thriller-era songs has not been announced.

Thriller 40 will be released on digital compact disc, Mobile Fidelity will produce a limited edition One-Step 180 gram vinyl record of the original album, and there will also be a hybrid super audio CD (SACD) of the project. An UltraDisc two-LP set of Thriller 40 will be released at a later date.

Walmart will sell an exclusive version of the original Thriller album featuring an alternate 40th anniversary cover. Target, meanwhile, will have an exclusive version of the original album with a commemorative “Thriller 40” vinyl slip mat.

Pre-orders of the various editions of Thriller 40 are being taken right now at ShopMichaelJackson.com. The limited edition vinyl is priced at $100, the SACD is going for $30, and the 2-CD set is priced at a very reasonable $13.98. They’re also selling hoodies, t-shirts, and hats with the Thriller 40 logo (they’re available for shipping right now).

Thriller, Michael Jackson’s follow-up to Off The Wall, was originally released on November 30th, 1982 by Epic Records. It hit #1 on February 26, 1983 and did not from drop from the top position until April 14, 1984, 37 weeks later. At its peak, it was selling a million copies a week worldwide. It continues in 2022 to sell 130,000 copies a year in the United States.

You can hear all seven hits from Thriller, alongside hits from Off The Wall and Bad, on BlackLight Radio every day.

With so many people working at home now because of the coronavirus, it’s easy to get out of routine. Perhaps you listened to BlackLight Radio every day at the office, but now that you’re home it’s easy to forget to put on the tunes. This article is designed to help you get you back into the 80s groove, wherever you may be working from right now.

Working from home usually means working from a computer, so often this is the easiest want to listen. Just make sure your employer is OK with you using the computer they sent home with you to stream music!

Depending on your home environment, you may want to plug headphones into your computer to listen (the stereo separation is fantastic!), but I find an advantage of working at home is being able to put it on speakers. Although you may have a built in speaker on your computer that will work fine to listen, I like to hook up bigger speakers for better sound. I’m running from the output of my sound-card to the input of a stereo receiver and then cranking it up on a pair of bookshelf speakers and we sound great!

Another easy option for most people is using their smartphone to listen to BlackLight Radio. I would recommend if you’re going to listen all day using your phone, use a USB cable to keep your phone charged. Again, if you’re thinking about plugging into your company’s computer for the charge, make sure to run this by HR first! Many companies don’t want you plugging anything in that could access data or upload information.

Just like the computer speaker, the speaker on your smartphone may be fine, but I prefer to hook up a better speaker for better sound quality. With the right Y-cable you could hook up from the headphone jack (if you phone has a headphone jack) to your stereo, but for most people the easiest solution will be a bluetooth speaker. This can allow you to move your phone away from your desk (and perhaps closer to a wall charger) and put the speaker where you like it for the best sound.

Another option you may not have considered is your smart speaker. If you have a Google Home speaker or an Alexa Echo or something similar you are likely able to play BlackLight Radio. If just asking to play BlackLight Radio doesn’t do the trick, you may need to activate a skill such as Simple Radio or TuneIn. I like to sync up the Echo Dots I have around the house through the Amazon Alexa app!

Perhaps you can think of other ways to listen to BlackLight Radio while you work from home. I’d love to hear your suggestions, and I know our listeners would benefit, too! You can post your ideas below.

We’ve all had to make many adjustments since the pandemic started; one adjustment you shouldn’t have to make is doing without the 80s greatest hits on BlackLight Radio!

One of the interesting things about playing 80s pop is that while most of today’s listeners grew up with this music when it was first on the charts, several things make a countdown of the biggest hits at the time different from a countdown of the biggest hits today from the same year.

Although generally teenagers and young adults are the ones requesting songs from radio stations and purchasing singles at the record stores, older listeners can still influence the charts. As one example, the last record my grandmother ever bought was “Chariots of Fire” by Vangelis. She was approaching 70 at the time. My uncle who was in his 30s in the 80s, was also purchasing albums such as the “Do They Know It’s Christmas” maxi-single, Madonna’s “Who’s That Girl” soundtrack, and Vanity 6’s LP.

These age groups aren’t necessarily fans of 1980s music but found songs they liked released in the decade and pushed them up the charts alongside the songs liked by the teenagers and 20-somethings of the era. You’ll have Joan Jett, Tone Loc, and Motley Crue alongside Barbara Streisand, Andy Gibb, and Barry Manilow.

Today, the older generations have mostly passed on or are focused on the music of their youth, leaving the listeners of 80s radio to be those earlier-mentioned teens and 20-somethings of the 80s. Even tweens and kids from the 80s may find appeal in this music if they had an older brother or sister who played the local top 40 station all the time during the decade.

Another complication in playing “the most popular songs” is the persistent rumor that the charts may have been, at times, “less than honest.”

Some of this could have been accidental, such as a radio station Music Director just guessing at how many requests a song has gotten over the past week or a record store owner estimating how many copies of a single he has sold.

Unfortunately there may have been more deliberate subversion, including radio stations being asked by a label to report airing a song even if they didn’t play it or a record store because of personal biases not wanting to report sales of a specific artist or genre.

It has even been suggested that money may have, at one point or another, exchanged hands with chart makers to make sure a particular song hit a particular peak on a particular chart.

A final complication is the aging of tastes. This is a complicated enough topic I could write an entire article just on it!

In some cases, we’ve just heard a great song way, way too many times over the past 40 years. Maybe the message of the song rang true to our teenage hearts, but as a 40 or 50-something year old, it no longer affects us the same way. Maybe a musical style was unique and fresh at the time of release, but we’ve heard so many people do the style and do it better or expand on the style that what sounded hot at the time no longer impresses us.

On the flip side, a song that we may not have liked at the time may now bring back good memories, or our musical tastes may have broadened to include more and varied styles.

I know for me growing up if it didn’t have a beat I didn’t want to hear it. Today I really love a lot of the slow songs and mellow ballads from the decade when back then I would have consistently shut them off. (A lot of those love songs took on deeper meanings after hormones kicked in, too!)

So, how does BlackLight Radio know what 1980s songs to play and which ones to toss? The answer is simple: we ask you!

We have a music advisory board, made up of listeners just like you and me, folks who grew up in the 1980s and love this decade of music. Every week we have them listen to nine songs from the 80s and tell us if they want to hear the song regularly on BlackLight Radio. If the majority of the advisory board wants to hear it, we put the song in hot rotation. If the majority say they don’t want to hear it frequently, we move it to a light rotation where you’ll rarely hear it.

The result is a radio station that is fine-tuned to you and your favorite 1980s songs. We still have plenty of songs waiting for us to go through, but BlackLight Radio already sounds dramatically different (and dramatically better) than it did a year ago. Every week the playlist gets just a little bit better as fans just like you help us decide what songs to play and which songs to toss.

I think a lot of things make BlackLight Radio special: we play the songs at the speed the radio stations used to play them at, the songs are segued in such a way that they rarely fade, the announcements have lots of special effects, and we play audio clips from movies we all went to see at the cinema in the 1980s.

Being able to find out what songs you want to hear… not just guessing based on my personal preference, and not just following the charts from the era, and CERTAINLY not following what broadcast radio is playing, is our secret weapon. It is the magic ingredient that makes BlackLight Radio better than any other 80s radio station in existence, on or off the web.

(If you’d like to join the BlackLight Radio Music Advisory Board, please contact me for details on how you can help shape our music library!)